Belt loops and waistbands

Here’s the waistband on a pair of trousers I have just made. They are 7oz denim, which isn’t super thick, but as usual I really struggled to sew the belt loops on. The one at centre back was completely impossible so I used a pair with one each side instead.

I long ago gave up on trying to use bar tacks and now just sew them down with a short straight stitch. I even support the back of the presser foot with a bit of folded scrap fabric but still end up with a wobbly result. My machine is otherwise pretty good on thick fabrics so I can only assume it’s operator error.

So after the latest failure I dug out a few pairs of trousers to see if there’s a better way.

The belt loops on my trousers above are made by folding both edges of a long fabric strip in to the centre, and then folding it in half and top stitching down both sides. They end up as four layers of fabric which makes them very thick. It gives a nice finish though. On some other projects I’ve made them with a narrower strip with one long edge overlocked and folded it in three before top stitching. This gives a flatter loop but the overlocked edge sometimes peeks out, or doesn’t get caught in the topstitching.

Ready to wear trousers of my husband’s use an even narrower strip with the edges folded in once to the centre and then coverstitched. That gives only two layers, but I don’t have a coverstitch machine so that’s not an option. And I don’t think my twin needle would cope with denim.

As well as reducing the thickness there are several different methods of attachment. I normally sew the top end of my loops into the top waistband seam and then after the waistband is finished I fold the bottom end under and topstitch it down to the trousers – if my machine would bar tack them I’d do a bar tack instead. But there are other ways.

The picture below are cargo trousers from a Burda pattern which called for sewing the bottom of the belt loops into the waistband/trouser seam and then catching down the top end instead. It’s not any easier that way around in my experience but it’s an option.

The pair of jeans below is Vogue 1573 which uses a method I’ve never seen anywhere else. Both ends of the belt loops are sewn into the waistband seams. The bottom end is sewn in first when attaching the waistband to the trousers. That whole seam is then topstitched. Next the belt loops are pressed down and stitched down to the trouser leg on the inside of the loop, which is easier than top stitching as it won’t be seen and it only goes through one thickness of the belt loop. Then the waistband facing is added, catching the top end of the belt loops in that seam. The top of the waistband is then topstitched right over the belt loops. It’s easier to get the position right this way, but my machine hated topstitching over waistband and belt loops together, and I was then left with the problem of how to secure the bottom of the facing on the inside. The pattern says to hand stitch, but I stitched in the ditch leaving gaps where the belt loops were in the way. Overall it’s not bad, and probably gives a better result, but it’s a lot of faff.

Ready to wear varies. Trousers seem to be mostly done the same way as the Burda jeans, only with bar tacks to catch the tops down instead of topstitching.

Jeans seem to not catch either end in a seam and just use bar tacks.

But then in RTW they have thinner loops so fewer layers to contend with, and more powerful machines too.

I think the answer for home sewing might be to keep the belt loop as flat as possible so constructing the loops using the three layer method rather than the four layer, at least when dealing with denim. I’ve heard hammering the loop after folding the end under can help too. My current project is denim again and has yet more belt loops so I’ll have a chance to try it out soon.

If you have any top tips for good belt loops I am all ears.

French seamed single welt pocket

Here’s how the french seamed welt pockets on my current project are constructed, with bonus paper models of the process. I suspect it will be easier to see what’s going on with the paper than with fabric samples. I’ve used origami paper which has one white side and one coloured side. The coloured side represents the right side of the fabric, and the white side the wrong side.

This picture represents the right side of the jacket front with the opening for the pocket marked. When doing these in fabric I like to make the markings on the wrong side and line things up by poking pins through to the right side, but I know some people prefer to mark the right side of the fabric with something that can be removed without a trace, like basting in a contrasting thread.

Square of paper representing jacket front marked with welt pocket lines and grainline

Step one is to sew the welt on. It goes on the lower marking with the opening edge pointing down. The side of the welt that will be visible goes against the jacket front.

Blue paper representing jacket with a piece of brown paper representing a welt laid across the lower welt pocket mark

Then the front pocket bag gets placed over the top, right sides together, with the marks for the opening in the pocket bag aligned with the marks on the jacket front. The pocket grainline marking isn’t right on my model, just ignore that.

Blue paper representing jacket with white paper representing pocket laid over

Then slash the pocket opening through both the pocket bag and jacket front, cutting diagonally into the corners. The right side of my paper pocket piece is brown, which is why brown bits are visible around the edge of the opening. The raw edge of the welt is making the slash in the jacket front difficult to see but it is there.

Blue paper representing jacket with pocket laid over and slashed

Turn the pocket bag to the inside through the opening and press as normal. It should look like this from the front, with the welt covering the opening.

Blue paper presenting jacket with welt pocket opening slashed and turned, The brown welt is visible, covering the opening

And now the clever bit: turn the pocket and welt back to their original positions and place the back pocket bag (red paper) on top, with wrong sides of the pocket bag pieces together.

Blue paper representing jacket with white and red paper representing pocketnlaid over

Sew around the edges, trim the seam allowances close to the seam, and turn the whole pocket back through the hole. The welt points up again and covers the opening. Then sew around the pocket bag again with right sides together, completing the french seam.

Finish as normal: sew the pairs of fabric triangles at each end of the opening together, sew the ends of the welt to the jacket front, and sew the pocket bag as close as possible to the top edge of the opening, sewing through both layers of the bag and the fabric flap from where the opening was slashed, but not the jacket front.

One thing I love about sewing is seeing how things like this get put together. It reminds me of when I was at university and learning to really think in three dimensions.