Silver trousers again: Vogue 1347

Work on the Merchant and Mills Strides trousers continues. But here’s a trouser pattern I recently finished instead.

Long time readers of this blog know I have a thing for silver trousers. I usually have at least one pair in my wardrobe and they get a lot of wear. Recently I’ve changed shape – I lost weight while sick – and my clothes no longer fit. Things should return to normal soon but in the meantime I need some trousers that don’t fall down. Enter the bottoms from Vogue 1347, wide leg trousers with a drawstring waist. No link to the pattern because this one is out of print, although it’s often available second hand on eBay and Etsy. Here’s the line drawing.

Vogue 1347 line drawing, McCalls

The lines of the trousers are pretty simple but this is a Ralph Rucci designer pattern so the finishing is amazing. If you followed the pattern instructions closely you’d get an absolutely exquisite garment: fully lined without an exposed seam allowance anywhere. I’m afraid I didn’t bother with the lining at all, and my seam allowances are finished with the overlocker. I’ve never seen such comprehensive instructions for lining trousers with a fly front anywhere else though, so I may come back to the pattern in future just for that.

I always find things drop out of inseam pockets on trousers so I added zips to mine. And I couldn’t be bothered to make a long skinny drawstring out of self fabric so mine is an acrylic cord. The fabric itself is Lady McElroy Uttoxeter, a black and white tonic twill that looks silver from a distance. It’s no longer available anywhere I’ve looked but this particular piece came from Sherwoods Fabrics.

And now the obligatory back view, because this is a sewing blog after all. I’m standing up straighter than I usually would which I think explains the folds. They have plenty of room anyway, and would even if I was at my normal size. I normally need to go up one size for the hips in most sewing pattern size charts, but this pattern has so much ease built in I didn’t bother when I traced it. I added 5cm to the length, as I usually do with Vogue, and they’ve come out just above floor length which is perfect. The hem allowance is a huge 8cm so there is a lot of wiggle room even without lengthening the pattern but I wanted to be sure to have a deep hem.

I’m really pleased with these. They are a lovely shape and I like that they have a proper fly front despite the adjustable waist; it makes me feel slightly more dressed up. And it’s so nice to have something that fits.

Thanks to my husband for the photos.

Burda 115-12-2009

Burda 115-12-2009 front view

I’ll admit I’m mildly obsessed with making shiny trousers. Up until now my experiments have all been skinny jeans made from Burda 103-07-2010. This however is Burda 115-12-2009, a pattern for wide legged trousers with interesting curved seams. Sadly I can’t find it in the Burda online pattern store or I’d link to it. The technical drawing will have to do.

Burda 115-12-2009 line drawing

What you can’t see on the drawing is that here are no side seams; the side front panel wraps round the back to the inside leg seam. I always think trousers look better with a bit of detail on the back. The curved yoke seam on these is much faster to sew than back pockets but has the same effect of breaking up the expanse of backside. And I never use back pockets anyway. Instead there are nifty little inseam pockets in the front yoke. They look lovely but they’re unfortunately a little on the small side. OK for keys and cards but I wouldn’t get my phone in them.

Burda 115-12-2009 back view

The trousers are made from yet more of the metallic stretch twill fabric I got from Truro Fabrics recently. Technically speaking it’s not a great choice for this style. The shine means that every single wrinkle is hugely visible. I swear they’re not too small – they feel fine on – but in these pictures they certainly look a bit clingy. I think the pattern was intended for a sturdier fabric. The pattern instructions simply say ‘trouser fabrics’ (thanks for that insight, Burda!) but the finished garments in the magazine are made from gaberdine and corduroy; ie heavier weight than my twill and lacking stretch. This all sounds negative, but in fact I like my version a lot. I was going for a practical style with a twist; a colleague described them as looking ‘industrial’ which on reflection I think is a success.

Burda 115-12-2009 side view

One thing I still haven’t got the hang of with Burda is how much length to add to their trousers. I know exactly how much length I need to add to bodices for Burda, and based on that plus the difference between my height and the height they design for I should be able work out exactly how much length to add to the legs. But it always comes out too much. I took an inch off these before hemming them and I’m wearing them with platform boots here. Still, better too long than the opposite. I know I should just add less to the length, regardless of calculations, but I’m always paranoid that the next pair are going to be the ones to come up disastrously short.

Burda 115-12-2009 side view on climbing frame

These seem to be passing the wearability test with flying colours. I’m keeping them for work because of the pockets – I still don’t have enough clothes with pockets – but I’d happily wear them at the weekend too. I might make this pattern again one day. There’s an alternative view with combat trouser details (side pockets with flaps, bellows pockets on the thighs, belt loops) which I’m quite tempted by, to the extent that I’ve traced off the extra pieces. Might have to go up a size though!

Burda 115-12-2009 on climbing frame