Trench coat progress

It’s been a while but that’s because I’ve been sewing a coat. Only a summer coat, but it seems to go on forever. I’ve almost finished the collar and lapels. Just top stitching left to do on those.

The pattern is Burda 105 02/2019 which is a simplified trench coat pattern. It has storm flaps and the traditional collar, but just wraps to close rather than having buttons. Here’s the line art.

Burda 105 02 2019 line art

I’m making it in a dark grey denim which I was worried was too heavy for the style but it’s working out OK so far. Its reluctance to crease made it surprisingly easy to sew the collar and welt pockets without getting any puckers.

Here’s a longer view. The side seams aren’t sewn yet. I’ve made the belt though. Most patterns have you do that sort of thing last but I prefer to get it done right at the start.

There still seems like a very large amount left to sew. What’s making it easier though is my new gadget: a very bright clip-on LED light that I can attach to the shelves by my desk and position to shine right on the sewing machine needle.

I don’t know if I’ve just been unlucky but out of my three machines, two have light bulbs which tend to slip out of their fittings if I sew quickly, plunging the work into darkness. And even when the bulbs shine reliably none of them are all that bright. The LED light makes a huge difference. It was a present from my husband, so thanks!

Trench coat toile take two

Thanks everyone for all the advice on fitting my coat. I’ve made some adjustments to the toile and it is vastly improved already.

I’m making Burda 105 02/2019, a single breasted trench coat style. Here’s one of the model photos.

Burda 105 02/2019 trench coat model photo

My first toile came out looking oversized on me. This was a particular problem because the fabric I am making the coat from is on the heavy side for this style so it was going to look very bulky indeed when pulled in with the belt. I went off and did a bit of browsing for images of trench coats to see what sort of shape would work better for fabrics without much drape. Burberry have some good ones in leather and metallics (the gold crocodile leather was a particularly spectacular version). The hem on theirs tends to be mid knee rather than mid calf and they are much more shaped in the body, having front and back princess seams. They often style them with the collar turned up too.

I didn’t really fancy adding princess seams, but I shaped the side seams and the centre back seam on my toile to nip it in at the waist, and took a whopping five inches off the hem. I also shortened the sleeves slightly. My husband wasn’t available to take photos so excuse the awkward mirror selfies.

Burda 105 02 2019 toile take 2

It definitely still needs shoulder pads – unfortunately I didn’t have any handy when I was fitting – and I think the back vent needs to start a little higher now I’ve shortened it so much. But it looks a great deal better already. That odd wrinkle on the sleeves seems to have gone too, but I’ll look at those more closely once I have the shoulder pads.

Trench coat toile

My next project is the coat that I was talking about back in December. Only now we’re coming into summer I’m making a trench coat rather than an overcoat. Years ago I had a cheap, bright red cotton trenchcoat from H&M which I loved; it was so easy and fun to wear. I wore it out many years ago and now I want to make something similar but hopefully a bit more durable.

The H&M coat was slightly unusual for a trench coat in that it was single breasted and so avoided the widening effect of the usual double breasted button closure. The closest design I’ve found in my Burda collection is 105 02/2019 (model photos below) which hasn’t got a closure at all. I can live with that as long as there’s an overlap to keep the wind out, which there is.

Burda 105b 02 2019 model photo

I also looked at 103 04/2018, which is a similar wrap over style but with the addition of an asymmetric drape at the front. I love that style but eventually decided that the fabric I have for the coat (a grey denim with a subtle shine) has too much body for it.

I’m not normally one for making test garments but a coat is a large commitment so this time I made the effort. Here it is. I’m three different sizes in Burda from 36 at the bust to 40 at the hips, so I’ve blended between the three and added my usual 5cm length on the bodice and sleeves. Otherwise this hasn’t been adjusted at all yet.

Burda 105 02 2019 toile close up front view

It seems a blousy above the belt at the front compared to the model photos. The black and white sample in particular looks much slimmer fitting than mine. The shoulders are OK and I have a reasonable amount of arm mobility. The sleeves are a bit long but I prefer them like that.

Burda 105 02/2019 toile back view

It also blouses at the back.

I’m not sure about the hem length here. The hem hasn’t been turned up yet but it is going to end at the widest part of my leg when it is. Not the most flattering length. I’ve looked at a few Burberry trench coats online and they are generally hemmed at the knee.

Burda 105 02/2019 toile left side view

The side seams are hanging straight. There’s a wrinkle on the arm I don’t understand and am a bit reluctant to try to remove in case it results in not being able to reach forward.

Burda 105 02/2019 toile right side view

Here’s an action shot of sorts. It stays closed fairly well when walking.

Burda 105 02/2019 toile front view

I am tempted to take darts in the front and back to slim it down a bit, otherwise I fear it’s going to look very bulky when belted. Thoughts welcome!

Grey cargo trousers: Burda 121 02/2018

These cargo trousers are Burda 121 08/2018. It’s an unpromising looking pattern if you go by the model photo, where it’s made up in a rather unlikely silk satin – the notes say it is an ‘evening style’ – but then photographed and styled to look like the model is camping or hiking. But the line drawing is much more appetising.

The project came about after I saw a picture on a Reddit street style group where the poster was wearing an all grey outfit with loose trousers tucked into boots and thought it was a great look: very comfortable and practical but a bit different. What makes it work in my opinion is the shape of the trousers. The Burda pattern with its gathered ankles and utility styling was the closest thing to it I could find in my pattern stash, and as a bonus it’s a Tall pattern so I didn’t need to make many adjustments. I added 2.5cm length and traced my usual size. The fit is about right. They are by no means low rise though, despite what Burda says in the pattern description. Maybe low rise in the current decade means something less extreme than it did in the 1990s?

These trousers have so much detail and require an amazing number of notions. Five zips, a buckle, loads of top stitching thread, petersham ribbon (not elastic despite what the pattern description says) for the ankles, and a button. I substituted a snap from stash for the button, and cotton herringbone weave tape for the petersham because I wasn’t convinced petersham ribbon would knot nicely.

I’m pleased with the zips I found; they have slightly fancy pullers and the grey tape is less harsh against the grey fabric than black would have been. The fabric is a lightish weight grey denim from Sherwood’s Fabrics. I sewed it with a size 90 denim needle and did the top stitching with a size 100 denim needle. I interfaced the waistband, fly underlap, and belt with Vilene F220. The top stitching thread is various shades of grey Coats Double Duty and Gutermann Topstitch I found in my stash so it doesn’t all match if you look too closely.

Here’s a shot of the ankle ties. I probably should have substituted elastic because I suspect they’re going to be annoying to tie and untie, but they do look nice. I guess I could always replace them with elastic later.

I am really pleased with how the trousers came out, but I have to say the pattern isn’t up to Burda’s usual high standards. Burda never provides pattern pieces for any piece that’s a rectangle, just a table of dimensions which confusingly usually include seam allowances although the pieces that are traced don’t. However the dimensions given for the waistband piece in this pattern don’t seem to include seam allowances or even the waistband underlap, so if you cut it according to the table it would be much too short. The fly front underlap piece dimensions are also wrong unless the piece was intended to be cut on the fold, but I couldn’t see that mentioned anywhere, nor is it shown on the fold in the layout. I’m very glad I checked everything before cutting.

I’m also unconvinced by the instruction to make the belt by sewing a long thin tube and turning it out. It would work in the original silk satin, but not in denim. Instead I pressed the seam allowances on the long edge of the belt to the wrong side, folded the belt right sides together, sewed across only the short ends, turned it out, pressed, and then top stitched around the whole thing to close the long edge. No awkward tube turning required.

Another thing I did to make the sewing easier was to make a template for the zip pocket opening markings. It’s just a piece of cardboard with a slot cut out the right size for the zip, but it made it much easier and faster to mark the four pocket openings accurately.

It is of course still distinctly cool in the UK so this is how I actually wore these most of Bank Holiday Monday; with a thick cardigan on top.

I don’t think I’ll make these again in a hurry because they are so very time consuming, but I’ll definitely hang onto the pattern in case the right piece of black denim should come my way. I think I’m going to wear these a lot. Thanks as ever to my husband for taking the photos!

Who needs a cutting table?

Something I’ve wanted for a long time is a proper cutting table. At the moment I have two options. There’s the the dining table, which is too low for cutting standing up and not large enough for big pattern pieces. I also have a huge foldable cardboard cutting mat for the floor. The mat is a really good surface and has a printed grid which has proved surprisingly useful, but it’s hard on the knees.

But we have never had space at home for it, unless I got one of those foldaway ones and they cost something ridiculous. However we’ve just had a new kitchen. I swear I wasn’t thinking about dressmaking when we planned the layout, but look at this…

It’s the perfect height and plenty long enough; that’s most of the pattern pieces for a pair of jeans laid out there on wide fabric. Guess I don’t need a cutting table after all.

Burda 101B 06/2016

Marmite top: Burda 101B 06/2016

Burda 101B 06/2016

Don’t laugh, but this simple creation was originally inspired by an awesome Rei Kawakubo sweater from the 1980s. I’d post a picture but I haven’t been able to find one that’s definitely legal to use on a blog. I encourage you to click the link to see it! Anyway it’s black, knitted, very rectangular in shape, and has panels that weave over and under each other. I considered trying to knit something similar before sanity prevailed and I realised that what I actually wanted was a boxy black knit top with some interesting texture and no complicated knitting was required.

I came across this unusual sweater knit from Empress Mills while browsing their website. It’s loosely knitted in a wide rib pattern. And that seemed to go quite nicely with Burda 101B 06/2016, a simple kimono sleeved top designed to show off stripes.

Burda 101B 06/2016 garment photo

Burda’s stripe placement is fine for striped fabric but mine has raised ribs which I think would look peculiar running parallel to the hem, so I put the horizontal ribs on the top half and the vertical ones on the bottom. Cutting it out was a challenge. I knew it would be obvious if the ribs weren’t perfectly aligned so I made full sized pattern pieces and cut it single layer instead of on the fold. That took up a lot of paper and space.

I went all the the place with sizing. The top half is cut in the largest size the pattern came in, and the lower body in my usual size. This was in order to get a bit more depth over the bust because on all the model photos the horizontal seam seems to be too high. I also didn’t add any length to the lower body when normally I would need at least 5cm. I wanted this to be fairly cropped. I wish I’d straightened the side seam. This is one of those patterns that can be a dress or a top depending on where you hem it, and so it’s got a bit of waist shaping for the dress version that the top doesn’t need.

Burda 101B 06/2016

The original pattern has a turned and stitched edge at the neckline but I made deep facings and blind hemmed them to the body to make sure they stay put.

I was really pleased with it when I finished it and put it on with my black asymmetric wool skirt. The next morning I put it on with my black wool trousers and hated it. I switched to my black jeans and loved it again. The black jeans are what I’m wearing in these photos.

Burda 101B 06/2016

Burda 138 03/2014 toddler top

I’ve always been reluctant to sew children’s clothes. So small and fiddly! They grow out of them so fast! And (in the UK at least) kids’ clothes are very good value for money in the shops so it isn’t remotely economical to make your own.

But…My little boy has a really nice top made out of soft shell. It has raglan sleeves and a neckline zip so it’s easy to get on and off. It’s one of his favourite things to wear. He’s also almost grown out of it and I haven’t been able to find a similar replacement. And it looked fairly easy to make – five pieces and a zip – so I decided to try to reproduce it.

My first try was to trace the original top to make a pattern. That went fine. And then I realised that I’d just traced a garment that was too small when the whole point was to make a bigger version. Unsure how to grade it up I went looking through my Burda stash and came up with Burda 138 03/2014, a raglan sleeved t shirt pattern for toddlers.

Burda 138  03/2014

Burda say this is a girl’s top, but I can’t see anything remotely gendered about it.

I traced it out one size bigger than my son’s current size because I wanted it to work as an outer layer with a t shirt worn underneath. I then made a collar pattern piece to fit the Burda neckline, copying the approximate shape of the one I’d traced from the original garment.

I made the new pattern up in the leftovers from my husband’s green fleece hoodie to test it. The zip was a lucky find in my stash; it was too heavy for the project I bought it for but it was ok for the fleece. It could have done with being a little longer though.

Burda 138 03/2014

Here’s the back view. It turned out really well; it fits with a bit of growing room, and my little boy likes to wear it. It’s not perfect. I tried to flatlock the hem and it’s slightly uneven; also I didn’t do a perfect job on the zip and collar. You have to look super close to see though. And it sewed up fast: I put it together in about 90 minutes.

Burda 138 03/2014

So I forged ahead with the real thing, made in bright red soft shell from Empress Mills with a matching red zip. This time I bought an extra long zip and cut it off at a few cm longer than the intended finished length. Instead of trying to recreate a zip stop I laid the end of the zip opening on top of the zip teeth so the zip continues below the end of the opening, and top-stitched right over the teeth. The original top is constructed like this. Obviously I made sure it was a plastic zip rather than a metal one first, but I still broke a needle in the process.

Burda 138 03/2014

And it looks nice but it’s a very different garment than the green one! The soft shell I used for the red version is quite heavyweight; it’s really a coating fabric. This is more something for wearing to the park than around the house.

The red fabric is lovely and bright and it top-stitches beautifully. I did a top-stitched hem because wonky flat locking would have stood out a mile on this fabric and you can’t unpick because the needle leaves permanent holes. Getting around those tiny sleeve hems on the machine was tricky though. I’d use this fabric again for a coat, but not a sweater.

Burda 138 03/2014

I’m quite tempted to make a third one of these in a cute snowflake print fleece I’ve seen online. Or there are lots of other child friendly fleece prints out there. I won’t be going into sewing children’s clothes regularly though!

Burda 120 12/2018 men’s hoodie

Burda 120 12/2018 hoodie

This is the first piece of menswear I’ve made for a long time. It’s Burda 120 12/2018 made up in dark green fleece from Empress Mills, for my husband. This is a nice easy to sew design and doesn’t require a lot of extra supplies beyond the fabric. The only notions used are a couple of eyelets and a cord for the hood drawstring. I didn’t even try to match the cord colour to the fleece but went with a black one. I had no idea what to search for online for the cord, so ended up getting one from Maculloch and Wallis when I was in London last. I think it’s this one which they describe as ‘acrylic wool cord’.

The hood seam is flat felled so no hood lining is required. The picture below shows it a bit more clearly.

Burda 120 12/2018 hoodie

This pattern is the one with the detailed instuctions in the issue of the magazine it comes in, and they’re pretty good with one exception. They have you set in the eyelets, sew the drawstring casing shut, and then feed the cord through one eyelet, along the casing, and out the other. They suggest wrapping the end of the cord in sellotape, presumably so you have something to grab and can easily feed it through the eyelets. I don’t know about you but that sounds like a recipe for intense frustration to me. I threaded the cord through the eyelets before sewing the casing shut and that worked fine.

Speaking of eyelets, here they are along with the setting tool. I used 6mm ones. I’d never used eyelets in sewing before, and found they needed a surprising amount of whacking to seal them firmly in place. I was thumping away during my son’s nap praying it wouldn’t disturb him; luckily he slept through it. And it turns out that backing the eyelet area with a scrap of extra fabric is really important to getting a good result. As well as the scrap fabric I also added a small piece of interfacing but I’m not sure how much that helped; it’s the extra thickness that makes the difference.


The pattern is well drafted – everything fits together nicely – but there isn’t a whole lot of ease. Next time I might go up a size, especially if using a very stable knit. Anyway I’d recommend this one as an easy sew with good results, and my husband’s been wearing the finished object a lot so that’s a definite success. And as a bonus there was enough fabric left over to make a little top for my son, of which more anon.

Blue Burda 114 11/2011

Blue Burda 114 11/2011

It’s been a while since I posted. Despite the silence I have been sewing a lot, but for other people. This top is a Burda 114 11/2011, for my sister. It’s difficult to get an accurate impression of it when it’s flat because of the unusual neckline; it needs to be on a body. Here’s Burda’s picture.

Most people who have reviewed this pattern comment that they needed to size down and the neckline is much higher than on Burda’s photo and that has been my experience too. Here’s my first version.

I made a bit more of an effort with the insides on the blue one than I did on my own grey version of this; I overlocked the seam allowances and finished the hems with a flat lock hem. The fabric is a blue and white heathered jersey that came from Misan a few years ago. The inside is covered in loops like a terry so hopefully it will be warm despite being very lightweight.

My own version of this has proved very wearable. The only thing I have doubts about is the sleeve length. They’re meant to be extra long, but I think it’s overdone. I like my sleeves longer than average but these are ridiculous. I keep thinking about using the sleeves from Burda 119 01/2013 instead, which have gathering at the end so they look extra long without actually covering your entire hand. They need a lot of fabric though.

Next up: a foray into menswear.

Burda 128 10/2010

Burda 128 10/2010 modelled pictures

Burda 128 10/2010 black sateen

Here is my latest attempt at a practical winter dress, Burda 128 10/2010. I’m not saying it’s a bad pattern: it’s certainly not bland or boring. But it’s not the easiest thing to wear.

I almost never make toiles and there are a few fit issues. I could have done with a bit more room at the hips and there’s something a bit off with the hem at the back – but I’m going to have to lengthen it anyway so that can be fixed at that point.

Burda 128 10/2010

Side view, although it’s very difficult to see any detail. The bust point is a bit high for me. Burda doesn’t mark that on magazine patterns.

I wore it to work today (with very thick tights!) and it was ok, but definitely only suitable for a day spent mostly behind a desk.

I might tackle lengthening it this weekend. And then after that I have several much more colourful projects (for other people) lined up!

Thanks to my husband for the photos.