Insanely wide top-stitching: more Vogue 1335

I’m still making Vogue 1335, the slightly mad Guy Laroche jacket from autumn 2012. It looks like a fairly straightforward sew at first sight.

Vogue 1335 line art

But did you notice the top-stitching? It’s something like an inch to the side of the seamlines. Normally I’d top-stitch by lining the seamline up with something on the sewing machine’s presser foot, which works nicely for regular top-stitching of 1/4″ or less. But no presser foot is two inches wide.

What I’ve been doing is using my Elna’s quilting guide, which is a metal rod that slots into the back of the machine’s shank. It bends down at one end to rest on the fabric. The idea is that you slide it over to the width you want and line up the original seamline or stitching line with the quiet guide. Only mine doesn’t really work out of the box; it fits so loosely that it moves around as soon as I start to sew. A little paper and sellotape cured that though.

Sewing machine with quilt guide wrapped in paper

Paper wrapped quilt guide from the side

And here we have reasonably straight one inch top-stitching. There are welt pockets too. I already blogged about making welt pockets and these are exactly the same as the last lot so I didn’t take any construction pictures this time. Very pleased with how they have come out though.

Vogue 1335 construction: jacket front

Vogue 1335 top-stitching closeup

Hopefully now I’ve done the pockets and worked out how to do the top-stitching the rest will be simple. There are a couple of inset corners on the neckband but I can’t see any difficult bits apart from that.

Ridiculous patterns: planning Vogue 1335

Vogue 1335 envelope art

Anyone remember this Guy Laroche jacket, V1335 from the autumn 2012 Vogue patterns? The considered opinion of the blogosphere at the time was that it is ridiculous, but I confess I’ve always rather liked the style. It’s had a place on my sewing shortlist ever since it came out. I got some bargain wool melton in winter white last month, so the time has finally come to make it up. It may work out well or I may end up looking like a big white football.

Here’s the line drawing. I think there’s a mistake in it. In the photo the front closure is clearly asymmetrical but in the line drawing it looks almost centered. The pattern pieces look much more like the version in the photo.

Vogue 1335 line art

I was curious enough about this one to go and look up the original. You can see a photo at http://nowfashion.com/guy-laroche-ready-to-wear-fall-winter-2011-paris-302?photo=12856. It’s very different: made up in brilliant scarlet, with much less ease, and a double-breasted button closure. It is heresy to say I prefer Vogue’s version? Although I do wonder a bit about the ease. Here are the finished garment measurements:

 

6 8 10 12 14
biceps 17¼” 17⅝” 18″ 18½” 19″
bust 55½” 56½”” 57½” 59″ 61″
waist 42½” 43½”” 44½” 46″ 48″
lower edge width 40½” 41½”” 42½” 43¼” 45¾”
length 26″ 26¼”” 26½” 26¾” 27″

I’m not sure how meaningful the bust measurement is. The armscyes are so dropped that they fall well below the bustline; in fact they aren’t far above the natural waist. However the waist measurement is unambiguous. That’s got nearly 20″ of ease in it. The lower edge looks as if it falls at hip level and is two inches smaller than the waist, giving a much more reasonable 8″ of ease or thereabouts. It’s an interesting silhouette, that’s for certain. I considered going down a few sizes, but even the smallest size would still have bags of room in it. And really the point of this style is the oversized shape, so I’ve cut out the pattern in my usual Vogue size and just added length.

On the subjectr of adding length, it’s one of those annoying ‘no provision provided for above waist adjustment’ designs. I think that’s because the very dropped armsyce gets in the way of drawing the usual adjustment lines. I simply added the length I needed just below the armscye. I don’t think anyone is going to notice if the bust point isn’t in the right place on this one.

The pattern calls for interfacing on the facings and neck bands. I’m planning to add quite a bit more: the fronts, backs, and the top of the sleeves. I don’t want the jacket to collapse into drapey folds when worn!

Watch this space. Hopefully the Michelin Man will be appearing here soon.