We finally managed to get some photos of my new Burda jacket on me – thanks as always to my husband for taking the photos. I’m still figuring out how to best style it. I made it as part of a wardrobe plan, but it is only the second piece I’ve completed. The dresses and trousers I intend to go underneath currently exist only in my head. But here it is with the pleather leggings from the plan. The jacket itself is Burda 105 02/2021.
This is not a garment I reach for first thing in the morning. It comes into its own when I’ve started work for the day and realise it’s a bit chilly in the attic. It goes over almost anything and the short sleeves are surprisingly practical. I don’t suppose I’ll be wearing it in the depth of winter, although I could see the style working in a heavy wool as a wearable blanket.
Here’s the Burda line art. I always like it when people show the pattern designer’s version when I’m reading a review of a pattern, as sometimes the finished object comes out very different from how you’d expect. This one is perfectly accurate though. I chose to really play up the top stitching on my version with light grey thread. It’s mostly straight lines but even so I did have to unpick a few times because there’s no hiding a wobble with this colour.
I still don’t think I’ve cracked styling this. Hopefully when I complete the rest of the plan (around Christmas, at the rate I sew) I’ll have more options.
Is it a coat? Is it a cardigan? Is it a jacket? Burda calls it a coat, but in my book a coat has to have full length sleeves and close at the front. Cardigans are usually knitted and this is made of denim. And it lacks the structure of the typical jacket. Whatever it is, it’s style 105 from the February 2021 Burda.
I normally let Burda magazines mature in my pattern stash until they’re a few years old before I make anything from them. But February 2021 had not one but two patterns which leapt straight into my latest wardrobe sewing plans and this is the first of them. I was looking for an indoor garment to layer over the top of an outfit for extra warmth. I don’t get on with most cardigans and this seemed like a promising alternative. It’s a simple sew: fairly square cut, unlined, with patch pockets and no closures.
Here’s the back view. One rather odd thing about the design is that there’s no continuity of the lines between the front, back, and sleeves. Those bold diagonal seams on the front come to a dead stop at the side seams. The topstitching on the yoke hits the sleeve seam and vanishes into it. I can almost hear Esme from the Great British Sewing Bee tutting that it hasn’t been very well thought through. It would be easy enough to add diagonal seams to the back to marry it with the front, but I’m not so sure what to do about the sleeves. More top stitching on the sleeve seam perhaps? The pattern called for one line there, but it also has you set the sleeves in so I skipped it, not wanting to do it in the round. If I made this one again I’d put the sleeves in flat.
A change I did make to this version was to add a hanging loop and change the neckline seam finish. There is no neckline facing piece (probably because it would be too bulky on top of the double layer yoke) and the pattern has you sew both layers of the the collar on to the neckline and press the allowances down, leaving a visible seam allowance around the neck. Instead I clipped the allowances at the point where the facing attaches, sewed on just the outer collar between those points, and pressed them up so the inner collar hides them. The top stitching around the collar holds it in place.
This worked beautifully on one side…
And I ended up with a mess on the other. I don’t think I clipped far enough. It’s not visible when wearing, obviously, but it’s annoying.
The pockets on this thing are huge. I have long arms and I can only just reach the bottom. It’s a Tall sized pattern so perhaps that’s not so surprising, but definitely something to check before stitching them down.
When I finished this I was vaguely disappointed. It seemed to lack the style factor of Burda’s version. But I’ve worn it a few times already, mainly when feeling cold indoors, and it grew on me. I suspect it works best paired with a dress, and I don’t often wear one of those. Hopefully I’ll get some modelled photos of it soon for comparison.
These leggings are from Vogue 1378, an old favourite pattern now sadly out of print. I don’t wear a lot of colour or print so I like clothes with seam line interest. But I find a lot of the patterns with extra seams have them placed in a less than flattering way. Not these though. The original pattern is strictly speaking for close fitting trousers rather than leggings, as they’re loose from the calf to the hem and have an ankle vent. But it’s very easy to sew the vent shut and tighten them up by taking in the inseam.
I made these as part of a wardrobe plan; they’re supposed to go under a couple of the dresses. I’m firmly in the Leggings Are Not Trousers camp where my own person is concerned, so no outfit photos of these until I have made at least one new dress to go with them.
They’re designed to be made in a knit, but the construction isn’t the normal overlocked seams. Most of the seams are lapped and top stitched with two rows of a long straight stitch, and then the outside seam allowance is trimmed down close to the stitching. This means the fabric can’t be too stretchy or the seams will break.
I’ve previously made these in thin neoprene, which worked very well, and scuba knit, which wasn’t as robust. This pair are in a thick coated knit that’s meant to look like leather. It came from Tia Knight a few years ago now. It’s super sticky on the coated side so it’s quite difficult to top stitch. A Teflon foot was no good at all. The roller foot worked with my machine set on the maximum stitch length only, and still produced tiny stitches. The walking foot was the only one that produced a decent medium length stitch and even then it isn’t all even, especially on the waist elastic.
The back thigh seam isn’t overlapped. That’s what the pattern says to do, and I have always assumed there is a reason for it. It’s certainly a handy indication as to which way round to put them on.
A closeup of all that lapping and top stitching. I’m quite pleased with the even spacing.
And the waist, with the not so even zigzag top stitching to hold the elastic down. The good thing is that this will never be visible while I’m wearing them.
Although I’ve made these before it was a while ago, and I’d forgotten that the waist is a little low and they’re very long in the leg. This isn’t normally a problem for me with Vogue Patterns so perhaps I added too much extra length when I originally traced them. I ended up shortening this pair by something like 8cm. There’s not a lot I can do about the waist this time, but it’ll never be seen.
Although I’ve not made the dresses I had planned to go with these, they have been getting some wear under my grey Style Arc Toni dress. They’re pretty good for the sunny but cool weather we’re getting in the UK at the moment. This is a pattern I will definitely hang onto.
I have just sewn the last button on the final garment in my wardrobe sewing plan. I started this back in October so my original estimate of six months worth of sewing wasn’t far out – I sew slowly and most of the pieces had fiddly details. But rather to my surprise I managed to stick with the plan, and am wearing most of the results on a regular basis. This post isn’t about those clothes, because I haven’t got them all photographed, but what comes next.
I was really inspired by two patterns in the February issue of Burda: an oversized coatigan (style 105) and a slouchy v neck dress with kimono sleeves and waist ties (style 101). But obviously they’d need some things to go under them so I started looking for options and checking my fabric stash…and before long I had another eight garment wardrobe planned out.
But do I really want to commit to another long sewing plan? This one does have the advantage that a couple of the patterns aren’t new to me, so should be relatively quick sews, and it also uses up quite a bit of stash fabric. But there are also several pretty big projects in there.
Top row, left to right:
Slim fitting wool jersey t-shirt in black John Kaldor Isabella wool jersey. I’ve used some Burda line art for the image, but this is basically a remake of this simple knit top I drafted a while ago, so I’ll use my pattern. This is intended to be layered under the dress immediately below it in the picture, and also to be worn alone with the jeans.
Burda 2/2021 style 102 blouse in white tencel. This is the piece I’m least sure about. I picked the style because it’s the chopped off version of the dress just below, so saving tracing another pattern, and I felt I needed a loose fitting top in the mix, to be worn with the jeans and the leggings. If anything gets dropped it’ll probably be this one.
Burda 5/2008 style 110 utility dress in grey gaberchino. To be worn over the jersey t-shirt and leggings and maybe on its own in very warm weather. I like all the hardware and detailing on this one, although it makes it a difficult project.
Vogue 1378 Donna Karan pieced leggings (OOP). This is a remake of this project from 2014, which was worn until the fabric started to disintegrate. I’m going to try to use some black stretch fake leather I have lurking in stash, but it depends whether I can persuade my machine to do top-stitching on it: it’s very sticky. If it doesn’t work out I’ll use thin black neoprene instead like my original.
Burda 4/2018 style 103 asymmetric trench-style coat in silver twill. This should work with all the outfits, and I have the fabric for this in stash – I’d already used it for two projects and liked it so much I bought the rest of the bolt with this coat in mind. Do I need yet another coat? No. But I can’t get this one out of my head. The style lines are similar to an Alexander McQueen design from a few years ago, although theirs has a double breasted button closure and Burda’s just wraps.
So that’s the plan at the moment. Unlike the last plan where all of the tops were intended to go with all of the bottoms, this time I’m aiming for layering possibilities. And as all pieces are in the same colour palette (or rather, lack of colour) as the last lot there should be quite a lot of crossover too.