This is an old favourite pattern, Burda 116 08/2011. Five or six years ago I used to have three versions in my wardrobe; it was my perfect dress at the time and it sews up really quickly so it was easy to have multiple versions. I made it up again this summer at the height of the heat wave. The fabric is a stretch cotton poplin from Tissu fabrics in bright pink. The original pattern was meant to be made in something drapey, but I find I like the effect in a crisp fabric.
It’s taken a while to get photos and the first opportunity was a very windy day so excuse the strange folds. Thanks to my husband for patiently taking photos from several angles while we tried to keep out of the wind!
I made some very minor changes to the pattern. I added 1cm to the side seams below the waist for a total extra 4cm circumference because the original hasn’t got a lot of ease at the hips. The pattern has you make bias strips to finish the armscyes. I cut an extra strip to bind the inside edge of the cowl too as it makes a much nicer finish than overlooking it. I added some interfacing to the back collar and the pocket opening edges. And finally I cut four of the pocket pieces rather than two so that I could have the pocket bags loose inside the dress rather than top-stitched to the dress front.
I think the fabric is very slightly too light in weight for this style, but I love the colour. This time around though I am noticing a few little issues that I wasn’t conscious of in previous versions. The sleeves are a bit restrictive, and the cowl neck has a mind of its own. I keep thinking that I won’t make another of these, but I also keep wearing it. Maybe I’ll make another in a heavier fabric. Sateen perhaps? I don’t think I want something as drapey as a crepe.
This is the best hot weather dress I have ever made. It’s Vogue 1482, a Rachel Comey design. The UK is going through an unpleasantly sticky heatwave at the moment and this dress has been a lifesaver. It’s so light and airy it feels like not wearing anything at all.
Here’s the line art.
It’s basically a great big sack which means no real fitting is required. I added my usual two inches to the length, but at the hem rather than above the waist as I normally would because the long diagonal seam makes it tricky to add length anywhere else. I also added my usual two inches to the sleeve length by adding an inch to both parts of the sleeve. And finally I made the recommended size instead of going down one size as I usually would with a Vogue pattern. When you’ve got this much design ease in a style a little more won’t hurt, and it’s insurance for when my bump gets larger.
The fabric is a very lightweight viscose from MacCulloch and Wallis, which at the time of writing is still available here. I suspect this may be the type of fabric known as challis. It was hard to cut out because it shifted a lot, but easy to sew and press. It moves and drapes beautifully. The pattern calls for French seams throughout and for once I actually bothered to make them. Mainly that was so I didn’t have to buy new thread for seam finishing, so I can’t claim this is sewing to any higher standard than usual for me. I don’t have any thread at all that matches the pink fabric, never mind the number of spools I’d need in order to thread the overlocker as well as the main sewing machine. So the dress was sewn using only the sewing machine with a random spool of purple polyester thread I had lying around. The purple blends surprisingly well, even where there is top-stitching.
The centre back opening isn’t needed as the neckline’s more than wide enough to go over the head, but I like the effect. I think many people would want to make the opening shorter though. It only just clears the bra band on me and I have a long back. It’s closed with a little loop made from the fashion fabric and a self-covered button. The instructions for creating the loop didn’t work very well for me; I followed the measurements on the pattern carefully and it came out too chunky. I replaced it with a much skinnier version. Otherwise I followed the pattern exactly and everything worked out.
The pocket is great. Very large and in just the right place. I thought it would be odd to have only one pocket but it seems to work. And it’s beautifully finished with more French seams. I wonder if left-handed people might want to flip the front pattern pieces so the pocket is on the right though?
And finally for laughs here’s the full flying squirrel effect.
There is definitely going to be at least one more of these. I can see it being nice in a drapey jersey fabric, or a crepe de chine – basically anything lightweight and drapey.