Trench coat progress

It’s been a while but that’s because I’ve been sewing a coat. Only a summer coat, but it seems to go on forever. I’ve almost finished the collar and lapels. Just top stitching left to do on those.

The pattern is Burda 105 02/2019 which is a simplified trench coat pattern. It has storm flaps and the traditional collar, but just wraps to close rather than having buttons. Here’s the line art.

Burda 105 02 2019 line art

I’m making it in a dark grey denim which I was worried was too heavy for the style but it’s working out OK so far. Its reluctance to crease made it surprisingly easy to sew the collar and welt pockets without getting any puckers.

Here’s a longer view. The side seams aren’t sewn yet. I’ve made the belt though. Most patterns have you do that sort of thing last but I prefer to get it done right at the start.

There still seems like a very large amount left to sew. What’s making it easier though is my new gadget: a very bright clip-on LED light that I can attach to the shelves by my desk and position to shine right on the sewing machine needle.

I don’t know if I’ve just been unlucky but out of my three machines, two have light bulbs which tend to slip out of their fittings if I sew quickly, plunging the work into darkness. And even when the bulbs shine reliably none of them are all that bright. The LED light makes a huge difference. It was a present from my husband, so thanks!

Trench coat toile take two

Thanks everyone for all the advice on fitting my coat. I’ve made some adjustments to the toile and it is vastly improved already.

I’m making Burda 105 02/2019, a single breasted trench coat style. Here’s one of the model photos.

Burda 105 02/2019 trench coat model photo

My first toile came out looking oversized on me. This was a particular problem because the fabric I am making the coat from is on the heavy side for this style so it was going to look very bulky indeed when pulled in with the belt. I went off and did a bit of browsing for images of trench coats to see what sort of shape would work better for fabrics without much drape. Burberry have some good ones in leather and metallics (the gold crocodile leather was a particularly spectacular version). The hem on theirs tends to be mid knee rather than mid calf and they are much more shaped in the body, having front and back princess seams. They often style them with the collar turned up too.

I didn’t really fancy adding princess seams, but I shaped the side seams and the centre back seam on my toile to nip it in at the waist, and took a whopping five inches off the hem. I also shortened the sleeves slightly. My husband wasn’t available to take photos so excuse the awkward mirror selfies.

Burda 105 02 2019 toile take 2

It definitely still needs shoulder pads – unfortunately I didn’t have any handy when I was fitting – and I think the back vent needs to start a little higher now I’ve shortened it so much. But it looks a great deal better already. That odd wrinkle on the sleeves seems to have gone too, but I’ll look at those more closely once I have the shoulder pads.

Trench coat toile

My next project is the coat that I was talking about back in December. Only now we’re coming into summer I’m making a trench coat rather than an overcoat. Years ago I had a cheap, bright red cotton trenchcoat from H&M which I loved; it was so easy and fun to wear. I wore it out many years ago and now I want to make something similar but hopefully a bit more durable.

The H&M coat was slightly unusual for a trench coat in that it was single breasted and so avoided the widening effect of the usual double breasted button closure. The closest design I’ve found in my Burda collection is 105 02/2019 (model photos below) which hasn’t got a closure at all. I can live with that as long as there’s an overlap to keep the wind out, which there is.

Burda 105b 02 2019 model photo

I also looked at 103 04/2018, which is a similar wrap over style but with the addition of an asymmetric drape at the front. I love that style but eventually decided that the fabric I have for the coat (a grey denim with a subtle shine) has too much body for it.

I’m not normally one for making test garments but a coat is a large commitment so this time I made the effort. Here it is. I’m three different sizes in Burda from 36 at the bust to 40 at the hips, so I’ve blended between the three and added my usual 5cm length on the bodice and sleeves. Otherwise this hasn’t been adjusted at all yet.

Burda 105 02 2019 toile close up front view

It seems a blousy above the belt at the front compared to the model photos. The black and white sample in particular looks much slimmer fitting than mine. The shoulders are OK and I have a reasonable amount of arm mobility. The sleeves are a bit long but I prefer them like that.

Burda 105 02/2019 toile back view

It also blouses at the back.

I’m not sure about the hem length here. The hem hasn’t been turned up yet but it is going to end at the widest part of my leg when it is. Not the most flattering length. I’ve looked at a few Burberry trench coats online and they are generally hemmed at the knee.

Burda 105 02/2019 toile left side view

The side seams are hanging straight. There’s a wrinkle on the arm I don’t understand and am a bit reluctant to try to remove in case it results in not being able to reach forward.

Burda 105 02/2019 toile right side view

Here’s an action shot of sorts. It stays closed fairly well when walking.

Burda 105 02/2019 toile front view

I am tempted to take darts in the front and back to slim it down a bit, otherwise I fear it’s going to look very bulky when belted. Thoughts welcome!

Grey cargo trousers: Burda 121 02/2018

These cargo trousers are Burda 121 08/2018. It’s an unpromising looking pattern if you go by the model photo, where it’s made up in a rather unlikely silk satin – the notes say it is an ‘evening style’ – but then photographed and styled to look like the model is camping or hiking. But the line drawing is much more appetising.

The project came about after I saw a picture on a Reddit street style group where the poster was wearing an all grey outfit with loose trousers tucked into boots and thought it was a great look: very comfortable and practical but a bit different. What makes it work in my opinion is the shape of the trousers. The Burda pattern with its gathered ankles and utility styling was the closest thing to it I could find in my pattern stash, and as a bonus it’s a Tall pattern so I didn’t need to make many adjustments. I added 2.5cm length and traced my usual size. The fit is about right. They are by no means low rise though, despite what Burda says in the pattern description. Maybe low rise in the current decade means something less extreme than it did in the 1990s?

These trousers have so much detail and require an amazing number of notions. Five zips, a buckle, loads of top stitching thread, petersham ribbon (not elastic despite what the pattern description says) for the ankles, and a button. I substituted a snap from stash for the button, and cotton herringbone weave tape for the petersham because I wasn’t convinced petersham ribbon would knot nicely.

I’m pleased with the zips I found; they have slightly fancy pullers and the grey tape is less harsh against the grey fabric than black would have been. The fabric is a lightish weight grey denim from Sherwood’s Fabrics. I sewed it with a size 90 denim needle and did the top stitching with a size 100 denim needle. I interfaced the waistband, fly underlap, and belt with Vilene F220. The top stitching thread is various shades of grey Coats Double Duty and Gutermann Topstitch I found in my stash so it doesn’t all match if you look too closely.

Here’s a shot of the ankle ties. I probably should have substituted elastic because I suspect they’re going to be annoying to tie and untie, but they do look nice. I guess I could always replace them with elastic later.

I am really pleased with how the trousers came out, but I have to say the pattern isn’t up to Burda’s usual high standards. Burda never provides pattern pieces for any piece that’s a rectangle, just a table of dimensions which confusingly usually include seam allowances although the pieces that are traced don’t. However the dimensions given for the waistband piece in this pattern don’t seem to include seam allowances or even the waistband underlap, so if you cut it according to the table it would be much too short. The fly front underlap piece dimensions are also wrong unless the piece was intended to be cut on the fold, but I couldn’t see that mentioned anywhere, nor is it shown on the fold in the layout. I’m very glad I checked everything before cutting.

I’m also unconvinced by the instruction to make the belt by sewing a long thin tube and turning it out. It would work in the original silk satin, but not in denim. Instead I pressed the seam allowances on the long edge of the belt to the wrong side, folded the belt right sides together, sewed across only the short ends, turned it out, pressed, and then top stitched around the whole thing to close the long edge. No awkward tube turning required.

Another thing I did to make the sewing easier was to make a template for the zip pocket opening markings. It’s just a piece of cardboard with a slot cut out the right size for the zip, but it made it much easier and faster to mark the four pocket openings accurately.

It is of course still distinctly cool in the UK so this is how I actually wore these most of Bank Holiday Monday; with a thick cardigan on top.

I don’t think I’ll make these again in a hurry because they are so very time consuming, but I’ll definitely hang onto the pattern in case the right piece of black denim should come my way. I think I’m going to wear these a lot. Thanks as ever to my husband for taking the photos!

Who needs a cutting table?

Something I’ve wanted for a long time is a proper cutting table. At the moment I have two options. There’s the the dining table, which is too low for cutting standing up and not large enough for big pattern pieces. I also have a huge foldable cardboard cutting mat for the floor. The mat is a really good surface and has a printed grid which has proved surprisingly useful, but it’s hard on the knees.

But we have never had space at home for it, unless I got one of those foldaway ones and they cost something ridiculous. However we’ve just had a new kitchen. I swear I wasn’t thinking about dressmaking when we planned the layout, but look at this…

It’s the perfect height and plenty long enough; that’s most of the pattern pieces for a pair of jeans laid out there on wide fabric. Guess I don’t need a cutting table after all.

Burda 101B 06/2016

Marmite top: Burda 101B 06/2016

Burda 101B 06/2016

Don’t laugh, but this simple creation was originally inspired by an awesome Rei Kawakubo sweater from the 1980s. I’d post a picture but I haven’t been able to find one that’s definitely legal to use on a blog. I encourage you to click the link to see it! Anyway it’s black, knitted, very rectangular in shape, and has panels that weave over and under each other. I considered trying to knit something similar before sanity prevailed and I realised that what I actually wanted was a boxy black knit top with some interesting texture and no complicated knitting was required.

I came across this unusual sweater knit from Empress Mills while browsing their website. It’s loosely knitted in a wide rib pattern. And that seemed to go quite nicely with Burda 101B 06/2016, a simple kimono sleeved top designed to show off stripes.

Burda 101B 06/2016 garment photo

Burda’s stripe placement is fine for striped fabric but mine has raised ribs which I think would look peculiar running parallel to the hem, so I put the horizontal ribs on the top half and the vertical ones on the bottom. Cutting it out was a challenge. I knew it would be obvious if the ribs weren’t perfectly aligned so I made full sized pattern pieces and cut it single layer instead of on the fold. That took up a lot of paper and space.

I went all the the place with sizing. The top half is cut in the largest size the pattern came in, and the lower body in my usual size. This was in order to get a bit more depth over the bust because on all the model photos the horizontal seam seems to be too high. I also didn’t add any length to the lower body when normally I would need at least 5cm. I wanted this to be fairly cropped. I wish I’d straightened the side seam. This is one of those patterns that can be a dress or a top depending on where you hem it, and so it’s got a bit of waist shaping for the dress version that the top doesn’t need.

Burda 101B 06/2016

The original pattern has a turned and stitched edge at the neckline but I made deep facings and blind hemmed them to the body to make sure they stay put.

I was really pleased with it when I finished it and put it on with my black asymmetric wool skirt. The next morning I put it on with my black wool trousers and hated it. I switched to my black jeans and loved it again. The black jeans are what I’m wearing in these photos.

Burda 101B 06/2016

Blue Burda 114 11/2011

Blue Burda 114 11/2011

It’s been a while since I posted. Despite the silence I have been sewing a lot, but for other people. This top is a Burda 114 11/2011, for my sister. It’s difficult to get an accurate impression of it when it’s flat because of the unusual neckline; it needs to be on a body. Here’s Burda’s picture.

Most people who have reviewed this pattern comment that they needed to size down and the neckline is much higher than on Burda’s photo and that has been my experience too. Here’s my first version.

I made a bit more of an effort with the insides on the blue one than I did on my own grey version of this; I overlocked the seam allowances and finished the hems with a flat lock hem. The fabric is a blue and white heathered jersey that came from Misan a few years ago. The inside is covered in loops like a terry so hopefully it will be warm despite being very lightweight.

My own version of this has proved very wearable. The only thing I have doubts about is the sleeve length. They’re meant to be extra long, but I think it’s overdone. I like my sleeves longer than average but these are ridiculous. I keep thinking about using the sleeves from Burda 119 01/2013 instead, which have gathering at the end so they look extra long without actually covering your entire hand. They need a lot of fabric though.

Next up: a foray into menswear.

Burda 128 10/2010

Burda 128 10/2010 modelled pictures

Burda 128 10/2010 black sateen

Here is my latest attempt at a practical winter dress, Burda 128 10/2010. I’m not saying it’s a bad pattern: it’s certainly not bland or boring. But it’s not the easiest thing to wear.

I almost never make toiles and there are a few fit issues. I could have done with a bit more room at the hips and there’s something a bit off with the hem at the back – but I’m going to have to lengthen it anyway so that can be fixed at that point.

Burda 128 10/2010

Side view, although it’s very difficult to see any detail. The bust point is a bit high for me. Burda doesn’t mark that on magazine patterns.

I wore it to work today (with very thick tights!) and it was ok, but definitely only suitable for a day spent mostly behind a desk.

I might tackle lengthening it this weekend. And then after that I have several much more colourful projects (for other people) lined up!

Thanks to my husband for the photos.

The lure of the little black dress

No model photos today but I have a finished object to talk about. It is Burda 128 10/2010, a little black dress with inset panels, a boat neck, and amazing leg-of-mutton sleeves. I first made it up in 2011, the first project I made using my what was then my brand new overlocker.

Here’s Burda’s version:

And my previous version, in black double knit with silver pleather panels. This one was given away a long time ago. I usually don’t regret getting rid of clothes in the slightest, but this is one of the very few things that I eventually wished I had kept.

Burda 128 10/2010

A few months ago I spent hours going through my entire Burda stash looking for a winter dress pattern. I wanted something with long sleeves and a highish neck (so I can fit layers underneath), that fits my personal style, and at least has the possibility of having pockets added. There were not many that fitted the bill and this pattern looked about the best to me. Never mind that these days I live in jeans and jumpers; I had done the analysis and this was going to be the ultimate wearable winter dress.

The new version is made in black stretch sateen for both the panels and the body of the dress. I rarely wore the silver and black version because it was too dressy for work.

I added welt pockets to the panels this time. They aren’t perfect; they never are! I can’t seem to find the sweet spot between cutting too far and getting a hole at the corners, or not cutting far enough and getting a pucker. The imperfections always stop bothering me after a wear or two though.

I also added zips to the wrists. When I started making this I could have sworn the original had these, because the sleeves are very tight at the wrist, but no. Don’t Burda designers ever have a need to roll up their sleeves, for example to do the washing up? Surprising when Burda tends to put ankle zips in any pair of trousers that’s even vaguely close fitting.

You can probably guess what happened. My new version is not the practical garment I was hoping for. It’s pretty close fitting and has come out unexpectedly short. I added 10cm to the pattern when I cut it out and it’s still short! Oddly the previous version looks like it came up much longer but I don’t think I hemmed that one, which was made in a stable knit. I did put the shoulder pads in this time which I skipped before, and I suppose that might have taken away a tiny bit of length. I think they’re the actual pair I bought for the first dress. I can’t think why else I’d have a set of raglan shoulder pads in my stash.

This one is going to have to sit in the wardrobe for a while until I figure out what to do with it. It isn’t the only little black dress I have stashed in there not being worn!

Vado jeans finished

I finished my Vado Bootstrap skinny jeans at last – just as there has been another glut of articles saying that skinny jeans are dead and we’ve all got to wear wide legs now. Oh well. I like wide legged trousers but nothing is as practical as skinnies.

I talked a bit about the sewing process in previous posts but I stand by my assertion that if you didn’t know how to make jeans the instructions that come with this pattern aren’t enough.

What the instructions are good for is some little details that give a nicer finish. Things like top stitching down the outer side seam from the waist to the end of the pocket bag. The method for the fly front led to the best top stitching I’ve ever done on a jeans fly. You make the fly closure before sewing the front crotch seam, which is sewn as a lapped seam. It sounds tricky but it works nicely and means you have a much flatter space to do the fly top stitching on. I was determined to do a better job on the top stitching than my usual slapdash effort and these changes helped.

I’m slightly less keen on the way the photos showed to top stitch the ticket pocket, with a leg of top stitching continuing past the top corner of the pocket and into the waistline seam. If everything was sitting perfectly flat this would be hidden under the outer hip pocket but the whole front pocket area tends to move about and reveal it. Also I don’t see a good functional reason for it: one less end of top stitching to tie off I suppose?

And I haven’t sewn the fly button in quite the right place…I’ll have to do that again.

Anyway the important thing is, was the custom fit pattern an improvement over my usual Burda jeans pattern? I made one small adjustment while sewing them, which was to take in the centre back seam along the yoke and reduce the waistband length to correspond, but otherwise they are sewn up as drafted.

Well it’s win some lose some. The fit on the crotch and legs is a bit better than my Burda patterns, although having carefully compared photos of these and the various Burdas the difference isn’t as huge as I thought. It was really nice not to have to lengthen the pattern. Really nice. Yes it’s a simple alteration to do but it still takes time, finding the sellotape, and clearing a big enough space on the dining table. The back pocket placement is also pretty good, which I was worried about based on the pattern photos where they looked much lower than they’ve come out on me.

The bad news is that the waist is too large. In the picture above I’ve pulled them up to where they should sit, but in practice they tend to creep down and look more like this.

Here are some full length shots. I am not really nine feet tall by the way. It’s a combination of a low camera angle and the jeans having a very high waist. Thanks to my other half for taking the pictures!

They’re a bit too long for the boots I’m wearing here but I prefer jeans to be on the long side.

The real question is whether next time I make jeans I reach for this pattern or something else. I think I will use this one, but I’ll definitely adjust it. Not just the waist either; I prefer jeans front pockets to have an extension that reaches centre front. They sit flatter that way. The pockets on these are also too deep for this style; it’s not so easy to extract things from the bottom of them. They’d be fine with a looser leg.

I’m glad I made these and they’ve got me a step closer to my perfect skinny jeans pattern, but more iterations are definitely required.