Burda 120 12/2018 men’s hoodie

Burda 120 12/2018 hoodie

This is the first piece of menswear I’ve made for a long time. It’s Burda 120 12/2018 made up in dark green fleece from Empress Mills, for my husband. This is a nice easy to sew design and doesn’t require a lot of extra supplies beyond the fabric. The only notions used are a couple of eyelets and a cord for the hood drawstring. I didn’t even try to match the cord colour to the fleece but went with a black one. I had no idea what to search for online for the cord, so ended up getting one from Maculloch and Wallis when I was in London last. I think it’s this one which they describe as ‘acrylic wool cord’.

The hood seam is flat felled so no hood lining is required. The picture below shows it a bit more clearly.

Burda 120 12/2018 hoodie

This pattern is the one with the detailed instuctions in the issue of the magazine it comes in, and they’re pretty good with one exception. They have you set in the eyelets, sew the drawstring casing shut, and then feed the cord through one eyelet, along the casing, and out the other. They suggest wrapping the end of the cord in sellotape, presumably so you have something to grab and can easily feed it through the eyelets. I don’t know about you but that sounds like a recipe for intense frustration to me. I threaded the cord through the eyelets before sewing the casing shut and that worked fine.

Speaking of eyelets, here they are along with the setting tool. I used 6mm ones. I’d never used eyelets in sewing before, and found they needed a surprising amount of whacking to seal them firmly in place. I was thumping away during my son’s nap praying it wouldn’t disturb him; luckily he slept through it. And it turns out that backing the eyelet area with a scrap of extra fabric is really important to getting a good result. As well as the scrap fabric I also added a small piece of interfacing but I’m not sure how much that helped; it’s the extra thickness that makes the difference.


The pattern is well drafted – everything fits together nicely – but there isn’t a whole lot of ease. Next time I might go up a size, especially if using a very stable knit. Anyway I’d recommend this one as an easy sew with good results, and my husband’s been wearing the finished object a lot so that’s a definite success. And as a bonus there was enough fabric left over to make a little top for my son, of which more anon.

Blue Burda 114 11/2011

Blue Burda 114 11/2011

It’s been a while since I posted. Despite the silence I have been sewing a lot, but for other people. This top is a Burda 114 11/2011, for my sister. It’s difficult to get an accurate impression of it when it’s flat because of the unusual neckline; it needs to be on a body. Here’s Burda’s picture.

Most people who have reviewed this pattern comment that they needed to size down and the neckline is much higher than on Burda’s photo and that has been my experience too. Here’s my first version.

I made a bit more of an effort with the insides on the blue one than I did on my own grey version of this; I overlocked the seam allowances and finished the hems with a flat lock hem. The fabric is a blue and white heathered jersey that came from Misan a few years ago. The inside is covered in loops like a terry so hopefully it will be warm despite being very lightweight.

My own version of this has proved very wearable. The only thing I have doubts about is the sleeve length. They’re meant to be extra long, but I think it’s overdone. I like my sleeves longer than average but these are ridiculous. I keep thinking about using the sleeves from Burda 119 01/2013 instead, which have gathering at the end so they look extra long without actually covering your entire hand. They need a lot of fabric though.

Next up: a foray into menswear.

Burda 128 10/2010

Burda 128 10/2010 modelled pictures

Burda 128 10/2010 black sateen

Here is my latest attempt at a practical winter dress, Burda 128 10/2010. I’m not saying it’s a bad pattern: it’s certainly not bland or boring. But it’s not the easiest thing to wear.

I almost never make toiles and there are a few fit issues. I could have done with a bit more room at the hips and there’s something a bit off with the hem at the back – but I’m going to have to lengthen it anyway so that can be fixed at that point.

Burda 128 10/2010

Side view, although it’s very difficult to see any detail. The bust point is a bit high for me. Burda doesn’t mark that on magazine patterns.

I wore it to work today (with very thick tights!) and it was ok, but definitely only suitable for a day spent mostly behind a desk.

I might tackle lengthening it this weekend. And then after that I have several much more colourful projects (for other people) lined up!

Thanks to my husband for the photos.

The lure of the little black dress

No model photos today but I have a finished object to talk about. It is Burda 128 10/2010, a little black dress with inset panels, a boat neck, and amazing leg-of-mutton sleeves. I first made it up in 2011, the first project I made using my what was then my brand new overlocker.

Here’s Burda’s version:

And my previous version, in black double knit with silver pleather panels. This one was given away a long time ago. I usually don’t regret getting rid of clothes in the slightest, but this is one of the very few things that I eventually wished I had kept.

Burda 128 10/2010

A few months ago I spent hours going through my entire Burda stash looking for a winter dress pattern. I wanted something with long sleeves and a highish neck (so I can fit layers underneath), that fits my personal style, and at least has the possibility of having pockets added. There were not many that fitted the bill and this pattern looked about the best to me. Never mind that these days I live in jeans and jumpers; I had done the analysis and this was going to be the ultimate wearable winter dress.

The new version is made in black stretch sateen for both the panels and the body of the dress. I rarely wore the silver and black version because it was too dressy for work.

I added welt pockets to the panels this time. They aren’t perfect; they never are! I can’t seem to find the sweet spot between cutting too far and getting a hole at the corners, or not cutting far enough and getting a pucker. The imperfections always stop bothering me after a wear or two though.

I also added zips to the wrists. When I started making this I could have sworn the original had these, because the sleeves are very tight at the wrist, but no. Don’t Burda designers ever have a need to roll up their sleeves, for example to do the washing up? Surprising when Burda tends to put ankle zips in any pair of trousers that’s even vaguely close fitting.

You can probably guess what happened. My new version is not the practical garment I was hoping for. It’s pretty close fitting and has come out unexpectedly short. I added 10cm to the pattern when I cut it out and it’s still short! Oddly the previous version looks like it came up much longer but I don’t think I hemmed that one, which was made in a stable knit. I did put the shoulder pads in this time which I skipped before, and I suppose that might have taken away a tiny bit of length. I think they’re the actual pair I bought for the first dress. I can’t think why else I’d have a set of raglan shoulder pads in my stash.

This one is going to have to sit in the wardrobe for a while until I figure out what to do with it. It isn’t the only little black dress I have stashed in there not being worn!

Burda 114A 11/2011

Pathological fabric and Burda 114A 11/2011

Burda 114A 11/2011 front view

This was a quick but not an easy project. The pattern is Burda 114A 11/2011, a fairly simple wrap over knit top. The pattern photo shows it made up in a very loose and drapey sweater knit; you can see it’s slightly transparent.

I got some fairly similar stuff from Croft Mill’s sale recently. It was an end of roll so there’s no more available. It’s a loosely knitted polyester sweater knit in various shades of grey, black, and white. It came with a warning that it was tricky to sew and they weren’t kidding! You can stretch it a long way and it doesn’t snap back. I spent a long while trying to get it arranged on grain and without tension before cutting, but one of my sleeves still ended up 10cm longer than the other, and the back hem edge was on a steep angle. This was particularly obvious because the fabric has a subtle striped effect. I took my shears and cut the extra fabric off freehand, following the stripes, to end up with two matching sleeves and a hem that is on grain. I think it’s worked surprisingly well considering how misshapen my first attempt was. I really should have cut the whole thing out single layer.

Burda 114A 11/2011 back view

Most people who have made this recommended going down at least one size. I did size down but I also made my usual length additions and they weren’t needed. The sleeves are meant to be extra long anyway, but I think the body has come out much longer than on the model photo.

Burda 114A 11/2011 right side view

The neckline on the model photo is very low but most people who have made this have found it comes up much higher and more wearable, me included. I can arrange it to be lower but it naturally settles as you see it in the photos.

I constructed this mostly with a straight stitch on the sewing machine using a ball point needle and slightly lowered needle tension. I tried the overlocker on a few seams but it didn’t like the loosely knit fabric at all. The fabric caught around the loopers at one point and required some vicious hacking with scissors to free it. The overlocker seems to have survived the experience but I lost a bit of width from the top around the bust area (I regretted using only 1cm seam allowances) and after that I didn’t risk overlocking again. I left the remaining seam allowances raw and sewed the hems with a wide zigzag positioned to go over the raw edge of the hem allowance. Hopefully it will hold up. Knits generally don’t ravel but this one might be an exception.

Burda 114A 11/2011 left side view

I really like the finished top. I’ve seen a few versions of this in more stable knits and those looked pretty good too, so I might give it another go at some point. In a more stable knit this would be a great first knit project because there’s no neckband to deal with. I think I need a break after this particular version though; my next project is going to be made from nice well behaved denim.

Thanks to my husband for taking the photos.

Burda 114A 11/2011 full length

Burda 117 02/2012

The sewing police will never take me alive

Burda 117 02/2012

It’s so difficult to get photos at the moment! There’s very little daylight and the garden is now a sea of mud covered in building supplies which doesn’t make for a good backdrop. Hence the indoor shots, as ever kindly taken by my husband.

This pattern is an old favourite, Burda 117 02/2012. The technical drawing is below. Previous versions: black wool knit, red knit, colour blocked ponte, failed version in red and white stripes.

Burda 117-02-2012 technical drawing

This version is made in black scuba from Birmingham Rag Market. The fabric was an absolute steal; I think the amount I used for this dress cost me all of two pounds. It’s pretty forgiving: stable, no need to finish any seam allowances, and it presses pretty well for what must be polyester. It definitely required a stretch needle and a few tension adjustments to get a good stitch in it on my sewing machine though. I sewed the whole dress with a longish straight stitch as that has enough give for a stable knit fabric.

I made a few changes to the pattern. There is meant to be a back zip (not shown on the technical drawing, oddly) but it’s not needed so I skipped it. I also skipped the shoulder pleats; I prefer a strong shoulder line to a rounded one. On previous versions I also shortened the skirt but this one’s at the designer’s intended length. These days I think it looks better long; perhaps it’s a sign of age!

I added inseam pockets in the diagonal seams on the front. Those worked out better than they had any right to. I was in two minds about it, but I knew I’d never wear the dress without pockets so I had to try.

Burda 117 02/2012

I also changed the front closure completely. The left bodice front piece (the bit which underlaps) is designed to attach to the right front with snaps, and so the pattern piece only extends just as far as needed to do that. I’ve always sewn the opening shut and not bothered with the snaps in the past. That works, but the closure doesn’t always sit quite right. This time I decided to extend the left front to run right under the right front and catch it in the underbust seam so the front becomes a true crossover style. Only I tried to do this by mirroring the right front pattern piece, forgetting that the underbust seam is on a diagonal. I ended up with a left front that still wasn’t long enough to catch in the seam, and no fabric left to recut because I’d already used up the rest of it cutting out something else. I managed to save it by stitching the left front down along the line of the right front dart. The insides are a complete mess though; there’s a flapping raw edge running from centre front to the right dart on the inside. Scuba doesn’t fray so it will hold up, but the sewing police won’t approve.

Burda 117 02/2012

There’s also something odd going on with the seam allowances around the sleeves. This is my error from when I originally traced the pattern and I always forget to go back and fix it. It looks OK from the outside but the inside is another mess.

So not my best work but it’s wearable. I’m not sure how to style it either. For these photos I didn’t put it with a lot of other things but it’s more likely to be worn with a long sleeved t shirt and leggings underneath.

Burda 116 08 2011 front view

Schiaparelli pink Burda 116 08/2011

Burda 116 08 2011 front view

This is an old favourite pattern, Burda 116 08/2011. Five or six years ago I used to have three versions in my wardrobe; it was my perfect dress at the time and it sews up really quickly so it was easy to have multiple versions. I made it up again this summer at the height of the heat wave. The fabric is a stretch cotton poplin from Tissu fabrics in bright pink. The original pattern was meant to be made in something drapey, but I find I like the effect in a crisp fabric.

It’s taken a while to get photos and the first opportunity was a very windy day so excuse the strange folds. Thanks to my husband for patiently taking photos from several angles while we tried to keep out of the wind!

I made some very minor changes to the pattern. I added 1cm to the side seams below the waist for a total extra 4cm circumference because the original hasn’t got a lot of ease at the hips. The pattern has you make bias strips to finish the armscyes. I cut an extra strip to bind the inside edge of the cowl too as it makes a much nicer finish than overlooking it. I added some interfacing to the back collar and the pocket opening edges.  And finally I cut four of the pocket pieces rather than two so that I could have the pocket bags loose inside the dress rather than top-stitched to the dress front.

Burda 116 08 2011 back view

I think the fabric is very slightly too light in weight for this style, but I love the colour. This time around though I am noticing a few little issues that I wasn’t conscious of in previous versions. The sleeves are a bit restrictive, and the cowl neck has a mind of its own. I keep thinking that I won’t make another of these, but I also keep wearing it. Maybe I’ll make another in a heavier fabric. Sateen perhaps? I don’t think I want something as drapey as a crepe.

Burda 116 08 2011 front view

Burda 103 07 2010

Full on Cyberman silver jeans

I’ve made various pairs of silver jeans over the years, but never in fabric quite this reflective. It’s a foiled stretch denim from a new-to-me company, Top Fabric. I found it in their online shop a while ago but ummed and aahed about it for quite some time because it’s quite pricey and narrow enough that my favourite jeans pattern would need at least two metres. Anyway I was lucky enough to get fabric money for my birthday, so here are the ultimate silver jeans.

Burda 103 07 2010 front

The pattern started life as Burda 103b 07/2010 but I’ve made it five or six times over the years and tweaked here and there each time. The most dramatic change is probably lowering the waist by a couple of inches. The original pattern is astonishingly high waisted; something I often find with Burda trousers. I also added the back pockets to the pattern at some point. Looking at this version I think they need to be a bit larger and closer to the centre back seam. Maybe I’ll fix that next time.

Burda 103 07 2010 back

One thing I really like about this design is the extra panel down the side of the leg. It’s just about visible in the picture below.

Burda 103 07 2010 side

The top stitching caused much agonising over thread choice. I went with a very light grey and it seems to have worked well. I did the buttonhole and bartacks for the belt loops in regular thread in the same shade. I find I get a much better result that way; neither of my machines likes making dense zigzags in thick thread. The rest of the stitching and seam finishing was done with black thread because the base fabric is black.

Burda 103 07 2010 front closeup

The fabric is a bit more difficult to work with than regular stretch denim. You can’t unpick without leaving marks and the foil surface is very slippery. I used Wonder Tape instead of pins to hold things in place while sewing the fly front and back pockets because pin marks would have been very visible.

Burda 103 07 2010 back closeup

The fit isn’t perfect in that I have my usual problem of folds under the bum. But I have only worn these for try ons so far. I find the fit on skinny jeans improves after a bit of wearing time. My gold jeans had the same problem when I made them and now they’re much better. The silver ones currently feel quite tight but again I expect they’ll ease up with wear.

I’m hoping these will be very versatile. I’m wearing them with a t shirt here but I think they’ll also work with a big white shirt, and worn under either of the white dresses I’ve made recently when the current heat wave finally breaks. And I think I have just enough scraps of the fabric left to make a Vogue 1247 skirt too. Silver is a neutral, right?

Burda 103 07 2010 front

Burda 115-09-2015

Black Burda 118-09-2015

I’ve made these trousers once before but you always tweak a pattern second time around don’t you? I always seem to anyway. They are Burda 118 09/2015, wide legged menswear style trousers with turnups.

Burda 115-09-2015

The first version was a little too big in the waist. Perhaps because they rode lower than intended they also seemed slightly too long. This is a Tall pattern to start with and I didn’t add any length. For this pair I took in the waist and left the length alone, and they’ve come up a fraction too short. It’s not enough to make me unstitch the turnups and let them down, but next time I’ll add a very little to the length, maybe 2cm. There probably will be a next time although not for a while.

Burda 115-09-2015

This view shows the pleats and the very forward position of the side seams. When I took the waist in I did it by removing width just from the back pieces. There’s no space to take it out of the front.

Burda 115-09-2015

The fabric is a really lovely black wool flannel from Croft Mill with a little bit of elastane in it. It isn’t enough to make it stretchy but I guess it helps reduce creasing. Sadly it’s now sold out. The pocket bags are a scrap of heavyweight black satin lining I had left over from another project, and I used Vilene G700 interfacing. The pattern calls for interfacing on the waistband, welt pockets, and fly shield. I also put it on the front pocket edges but I still managed to stretch them out a bit.

These are practical trousers. The pockets are huge and they’re very comfortable and warm. But I like to think they’re a bit stylish too. I’ve mainly been wearing them with this black wool jersey t-shirt but I think they’d go with a short boxy top as well.

Burda 115-09-2015

Grey skinny jeans – Burda 115-03-2014

Burda 115-03-2014 grey

I am in desperate need of practical clothes. By practical I mean warm, has pockets, and washable. So I made Burda’s classic five pocket jeans pattern again, in grey denim this time. I had a pair of grey skinny jeans ten plus years ago when Kate Moss made them achingly trendy, and I still have a soft spot for the style even though it probably now looks extremely dated.

The first picture (above) is how I’d normally wear them at this time of year, but below they are shown without the thick cardigan. The top they are shown with is Vogue 8866.

I adjusted the pattern a bit after my first attempt: took a bit off the leg length, did a full calf adjustment, took in the waist, and shortened the front crotch. Most of the adjustments worked well but I took way too much off the length. I’d forgotten what it is like to wear trousers that are too short. Annoying. I also messed up the fly and that zip tends to peek out a bit, but that was entirely a sewing error.

Burda 115-03-2014 grey

Side view. I actually bothered to sew the ticket pocket on these, something I never use. Not sure it adds much but I did nice topstitching on it so that’s something. Talking of topstitching, I did fake flat fell seams on the inside legs with a double row of topstitching, and single topstitching on the centre back seam, the yoke, and the fly.

Burda 115-03-2014 grey

Single topstitching on the back pockets, apart from the top edge. I never do designs on the back pockets. I can’t come up with anything I really like and I don’t mind them plain.

Burda 115-03-2014 grey

I’ve still got lots of wrinkles on the back leg, although I think the front fit isn’t bad. The fabric has 2% Lycra (this one from Croft Mill) which helps.

Burda 115-03-2014 grey

So altogether not the best pair of jeans I’ve made. I’ll wear them but I know I can do much better!