I’m currently working on Vogue 1548, a recent Guy Laroche design. It has everything I love in Vogue designer patterns: a really unusual style with loads of interesting detail. Quite how wearable the end result is remains to be seen…I have to finish it first and it’s very slow going. So far I have a bodice (without a lining or a zip) and two sleeves (not attached to bodice).
And what sleeves they are. There’s a weird pointy bit near the elbow, two very curved insets (one inside the other) decorated with self-fabric binding, and gathered cuffs. I don’t usually bother with construction pictures but these sleeves deserve to be commemorated. Below is the small inset just having been sewn into the larger one. The pattern pieces are just behind them. They’re sewn wrong sides together and then the seam allowance is trimmed, encased in binding, and stitched down on the right side of the fabric.
The binding is supposed to be self-fabric bias binding. Normally I’d just use ready-made rather than faffing about making my own, but for this pattern I think the binding needs to match the sleeve fabric perfectly or it’ll look odd. Vogue’s instructions blithely say to do this by constructing a long bias strip about 25mm wide and then pressing over 6mm on each edge, giving approximately 12mm finished width. No further details about how to achieve this impressive feat are given, but then it is a ‘plus difficile’ pattern so I guess you’re supposed to know what you’re doing. I don’t know about you but pressing under exactly 6mm by hand on a wriggly bias edge is completely beyond my sewing skills and any attempt would certainly lead to burnt fingers and much cursing. Good thing there are bias tape folding gadgets to be had. Slow but effective.
Here’s a picture of the bound edges basted down before being sewn. That was another massively fiddly job. In the very unlikely event I make this pattern again I would just sew the insets right sides together and top-stitch them. And I haven’t even got to the cuffs yet.