Hooray, the winter Vogue patterns are out! Is it sad that I look forward to each new Vogue release?
I always go to the designer patterns first (does anyone not?). This time they are almost all occasion wear. If there’s any common theme beyond that it’s seam detail and cutouts.
Donna Karan does not disappoint with a wonderfully OTT metallic one-shoulder wrapped style, 1427. I have no need of this dress, nor ever will, but I’d love to try it on. One very minor quibble: there are no finished garment measurements on the envelope for this one. Vogue been great about putting these on the envelopes of late, and all the other patterns I checked have them.
The two designer patterns which aren’t evening wear are nonetheless very smart. There’s a sharp day dress from Anne Klein, 1420, with interesting lapels.
And then there’s 9046, a lovely, feminine, style from Claire Shaeffer. It’s not me at all but I can admire those tucks from a distance!
I didn’t find any must-buys in this section which is most unusual. It may be because I have absolutely no need for posh frocks any more, but that doesn’t normally stop me. And sadly there’s no Ralph Rucci pattern, but we did get two last time so I can’t grumble too much.
The Easy Options pattern, 9050, is a princess seam dress with pencil or flared skirt, and two-piece sleeves with two length options. It must be difficult to get a lot of interesting style detail in a pattern that has to be both easy to sew and provide many different options, but this one succeeds. The neckline shape and seam detail at the waist keep it from being dull and all the variations look very wearable.
Very Easy Vogue seems to have a focus on daywear this time out. There are one or two styles with interesting details. 9049 has unusually shaped lapels, pockets, and fake pocket flaps. And 9048 is a simple dress lifted by the addition of a collar. There’s also a nice basic princess seam jacket, 9068. 9056 is the inevitable peplum top. The peplum trend seems to have been going on forever; I won’t miss it when it finally dies.
There are two vintage patterns: 9051 is a day dress that I think is from the 40s, and 9052 is a day dress and jacket combo that’s described as circa 1949. It makes a break from the occasionwear of the designer section, but I’m slightly disappointed that both styles seem to be from the same era. I say this every time, but I long for a day when the vintage patterns are from the 60s or 70s.
The Marci Tilton patterns are appealing. 9070 is a raincoat with lots of interesting detail. The sample is made up in a shiny burnt orange fabric, which gives a very creative vibe, but if made in khaki or black this could also be a very utilitarian look.
The rest of the collection is very small and mostly consists of casual tops. There are also three wardrobe patterns, 9067 which is very casual, and a slightly smarter one in 9066. 9066 is also the custom cup size pattern. The pick of this section for me is the third wardrobe pattern, 9064, a boxy top with unusual seamlines combined with very simple skirt and trousers.
Overall impressions? I’d like there to be more daywear in the designer section and that could probably be balanced out with dressier styles elsewhere. It seems to be a smaller collection than last time which might also be why I found less to like. The photography continues to be spot-on with lots of clear views of each style. And I’m still grateful for the much wider range of finished garment measurements on the envelopes.
Fundamentally though this collection didn’t dazzle, unlike the autumn release. My overstuffed pattern box is grateful but I’m now looking forward to spring.