I’m back from my break from blogging. Teaching and marking are over for this academic year and I’m really looking forward to having some more free time to sew.
One of the few sewing-and-style-related things I have managed to do over the last couple of weeks was get to the Yohji Yamamoto restrospective at the Victoria and Albert Museum in London. And it was great. It’s on until July 10th, and if you get a chance to go and see it I really recommend it.
It’s not just that the clothes are fascinating – and they are – but the way they are displayed is so much better for the viewer than most exhibitions. Normally the light level is kept low and everything is up on stands or inside glass cases to protect it from damage. This exhibition hall is brilliantly lit like a stage show. The clothes are presented on dress forms dotted around the floor. You can walk all the way round each one and get close enough to see all the details of the garment. You get so much more out of it than most fashion retrospectives. You can’t touch anything of course, but I was able to take a peek at the inside construction of the skirt of one of the more unusual dresses by sitting on the floor, and no one seemed to mind.
The clothes themselves are great. The exhibition has both mens and womenswear. The womens’ clothes vary from the clever but rather unwearable – for example a long black evening dress with an integrated sequinned handbag on the backside – to things I immediately wanted to reproduce. There’s a lot of unusual construction and structure to admire. Plenty of black and some wonderful bright orangey reds. There’s also a small group of coloured dresses where the fabric has very fine patterns produced by unusual dyeing techniques. The techniques had names I didn’t know but they looked like variants of tie-dye and batik to me. The fabrics in general were beautiful, although apparently they are all specially made for the designer so that’s not so surprising.
The menswear is not as wearable in general but I do like the suits with attached oversized tartan wraps and the colours. There were also videos of many of the collections to watch.
The exhibition spills out into the rest of the museum with five or six groups of garments placed outside the exhibition hall in various parts of the building. The V&A is huge so it took a while to track them all down, and in the process I saw parts of the collections I’d never gone into before.
Anyway, do go if you get the chance. I’ve certainly come back with some new ideas, and it’s not often you get the chance to look at this sort of clothing so closely. I hope the V&A does more of these.