I was casting round for something to make out of it and eventually decided to do another version of my Vivienne Westwood Philosophy skirt knockoff. Tartan is a very Westwood fabric to start with, and this particular style looks really good in fabric with a woven stripe as it shows up the deliberately skewed grainline.
I always carefully file my patterns away in A4 envelopes when I’m done with them, so this should have just been a case of pulling out the right envelope and getting cutting. Unfortunately I ran into the problem that what seems obvious when you’re drafting a pattern is completely non-obvious when you come to use it again a few months later. Rather like computer code when you come back to it a while after writing, come to think of it.
So for your amusement and to remind myself, I have discovered it really helps to:
- Write on the pattern whether it includes seam allowances or not. (A careful comparison of pattern with skirt indicates not!)
- File all the pieces in the same envelope. No, really. And label them with what they are so that when you fail to put them in the right envelope you don’t have to examine every stray pattern piece in your collection to find the lining pattern.
- Give some indication of which cryptic markings are important for construction and which were just part of the drafting. Again, I had to lay the pattern over the finished skirt to work it out.
- Write on the pattern what notions you need. I know there’s a zip, but roughly how long did it need to be? (No, I didn’t mark the zip placement on the pattern either so I had to measure the skirt.)
Presumably with practice you get to know what you really do need to write down and what can safely be left to be deduced next time round. Come to think of it, there’s a whole chapter of That Which You Shall Write Down in Adele Margolis’ Make Your Own Dress Patterns. I may just go and read that again.